Bad Times at the El Royale Review

Bad Times at the El Royale Review

3 out of 4 stars (3 / 4)

The chaotic unpredictability of the premise combined with a perfectly cast all-star ensemble makes the El Royale well-worth checking into.

Bad Times at the El Royale is the latest mystery thriller from writer and director Drew Goddard (Cloverfield, The Cabin in the Woods) featuring a star-studded cast including the likes of Jeff Bridges, Jon Hamm, and Chris Hemsworth. The story is set sometime during the 1970s where we are presented with the “El Royale,” a dubious hotel that seems to operate as a safe haven for individuals of questionable morality.

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Critical Divide: Why Fans and Critics are Split on Venom

Why Critics and Audiences are Split on Venom 2

The 4 Biggest Reasons Why Audiences and Critics are Divided on the Film

With Venom now officially in theaters everywhere, the critical consensus is in and it wasn’t kind to the razor-toothed alien, as the film scored a paltry 31% on Rotten Tomatoes and a score of 35 from Metacritic. Despite many critics lamenting the poor screenplay and confused tone, this doesn’t seem to be halting the film’s path to financial success, as Venom has secured the highest opening of any film released during the month of October with an astonishing $80 million gross. Although box office returns, especially those from the first week, aren’t always indicative of favorable reception, the B+ CinemaScore from general audiences indicates that most moviegoers are pleased with the quality of the antihero origin story. This begs the question, “Why is there such a discrepancy regarding the film’s reception?”

Here are the 4 biggest reasons why general audiences had an overall positive attitude towards Venom:

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Can Horror Movies Cure Anxiety?

Are Horror Movies the Cure for Anxiety

Studies indicate that despite seeming counterintuitive, the act of being frightened from horror stories can lead to a decrease in feelings of stress.

With horror tales Hereditary and The Nun recently soaring at the box office, it’s clear that moviegoers continue to be drawn to the depraved. The question continually arises, why are we curious about witnessing horrific events befalling typically innocent and likeable individuals? Horror expert Stephen King suggests that we as a society use horror movies as a way of satisfying our unconsciously insane fantasies to balance us and maintain our mental health overall. While that is a provocative claim, in my experience there is more to the answer.

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A Simple Favor Review

A Simple Favor Review

3 out of 4 stars (3 / 4)

A delightfully crazy cocktail of crime thriller elements and knowing winks makes A Simple Favor a wildly entertaining parody of past domestic mysteries Gone Girl and The Girl on the Train.

A Simple Favor is the latest mystery thriller adapted from a bestselling novel featuring the unreliable narrator storytelling technique and taking place in the false security of the suburbs. Watching the trailer and reading the synopsis, it would be easy to write off the story as a second-rate version of Gillian Flynn’s Gone Girl, as the influences from this smash hit are readily apparent. Interestingly enough, the 2017 Darcey Bell novel’s similarity to the 2014 smash hit was the very reason movie studios were clamoring to obtain the film rights prior to the book’s publication. With funnyman Paul Feig at the helm though it becomes clear that much like the central mystery of Emily’s disappearance, there is more to this tale than meets the eye.

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The Predator Review

The Predator Review

1.5 out of 4 stars (1.5 / 4)

Writer and director Shane Black’s signature whip-smart dialogue and nuanced camaraderie are MIA in this brainless attempt to reinvigorate the Predator franchise.

The Predator franchise is in an interesting predicament. Much like the Alien series, the iconic creature’s image has been left in tatters after how poorly he came off in the much reviled Alien vs. Predator crossovers. With it being 8 years since a new installment featuring the intergalactic hunter, the franchise was in desperate need of a new angle to reignite interest and kickstart a new series of stories. Enter director and co-writer Shane Black to breathe some life into this once captivating monster. Between Black himself having a supporting role and helping with the screenplay of the original Predator, as well as his success in applying his subversively sharp wit to big budget spectacles like Iron Man 3, this seemed like a recipe for success. Unfortunately Black’s phenomenal track record hits a bump, as The Predator fails as a re-imagination of the franchise lacking any of the traits that made Black’s past work so manically enthralling.

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The Nun Review

The Nun Review

2 out of 4 stars (2 / 4)

The Nun’s action and adventure focus falls flat for casual horror fans, but it’s downright blasphemous for loyal fans of the franchise.

The Nun is the latest installment in the ever-growing Conjuring cinematic universe, which brings the standout theological specter from The Conjuring 2 into the spotlight. Spinning off new stories from existing franchises is nothing new, however, the biggest obstacle these types of films face is the pressure to create something that is distinct from its predecessors, and is also a tale that warrants being told in the first place. The rather astounding solution to this quandary that The Nun employs is to shift away from the horror genre altogether and veer heavily into the action and adventure genre instead. With courageous characters physically battling ghouls and zombies for the sake of the greater good, The Nun has far more in common with 1999’s The Mummy with Brendan Frasier than the likes of The Exorcist or even Annabelle for that matter. While The Nun is indeed something different than any other Conjuring film, the paper-thin plot and emotionally bankrupt character development prevents the film from being memorable or even slightly frightening.

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Searching Review

Searching Review

3 out of 4 stars (3 / 4)

Engrossing cyber thriller that stretches the scope of its story as far as its style allows, at times to its detriment.

Searching is a straightforward tale of David Kim (John Cho), a single father who one day awakens to every parent’s worst nightmare when his 15-year old daughter Margot (Michelle La) doesn’t return home from her late-night study session at a friend’s house. What follows is a desperate father working with a local Detective (Debra Messing) to trace his daughter’s whereabouts via her computer. Searching is part of a long line of thrillers such as Unfriended and the Paranormal Activity series that seek to imitate real life by portraying the story’s events strictly through the electronic devices being used by the characters. By now this manner of storytelling is far from an innovative technique, however, Searching manages to have some unique tricks up its sleeve to set this thriller apart from the rest.

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Crazy Rich Asians Review

Crazy Rich Asians Review

3 out of 4 stars (3 / 4)

Manages to be both a story I’ve seen countless times before as well as a film unlike anything that’s come before it.

Over the past few years it has become increasingly popular for films to present a story that breaks the mold of societal and cultural norms. As seen by the recent event films Black Panther and Wonder Woman, an incredible phenomenon is occurring in which social change is essentially being commoditized for viewers. Moviegoers are not only being drawn to the novelty of a film from a different cultural point of view, but they are also being motivated to buy a ticket and become a part of history, doing what they can to support the paradigm shifts in Hollywood standards. Despite some controversy regarding the nationalities of the actors in the film, Crazy Rich Asians features an entirely Asian ensemble and continues the propulsion towards an increase in representation and diversity whilst being presented in an elegantly enthralling package.

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Why is August Still a Cinematic Wasteland?

Why is August Still a Cinematic Wasteland

Typically designated as a “dump month” by studios, the final weeks of August may actually be one of the most lucrative opportunities for box office returns.

The end of Summer…a traditionally difficult time for most people. As a kid, I, like most kids, always struggled with those final weeks of August. It wasn’t merely the hazy humidity, the back-to-school blues, or family vacations being behind me. No, it was the lack of anything remotely compelling being released at the movies. In my desperation for one last hurrah before Summer concluded and the inevitable transition into a new year of school, all I had at my disposal were middling comedies, third-rate horror flicks, and action adventure films no one had asked for. In other words, the leftover films the studio wanted to quietly release.

Although as a kid I had no idea why this was, years later I learned that as with January, the final weeks of August are designated as a “dump month” by studios, meaning it is targeted as the time to release films the studio has little confidence in as they believe there is less interest in going to the movies during this timeframe. The rationale from studios ranges from kids going back to school, a lack of disposable income after spending it during earlier months of Summer, weak legs at the box office going into Fall, and historically a dearth of proven success. It’s no secret that the Summer movie season has been steadily expanding its boundaries for the past few years. With the notable success of The Winter Soldier and Fast Five proving the viability of April as well as Guardians of the Galaxy and Suicide Squad tackling the start of August, the idea of seasonality in consumer interest for films is proving to be an archaic notion. Yet the final weeks of August stubbornly remain a dumping ground for lesser quality films.

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Christopher Robin Review

Christopher Robin Review

3 out of 4 stars (3 / 4)

Winnie the Pooh proves to be the life coach you forgot that you needed.

Winnie the Pooh has touched the hearts of children for over 90 years and has maintained a connection with readers that is unlike any other children’s story. It is undeniable that a part of this bond can be attributed to the wisdom to be gleaned from Pooh’s adventures, which have resonance well into adulthood. From comparisons to the great Greek philosophers to being used as a model for simplifying the Chinese philosophy of Taoism it has become clear that despite being “a bear of very little brain” Pooh has some deep insights into the meaning of life. Christopher Robin sets out to more directly explore how Pooh’s approach to life connects to the struggles of adulthood by depicting what would happen if a fully-grown Christopher Robin were to reunite with Pooh and his friends. Unlike many of Disney’s past live-action films, Christopher Robin is a tale that feels like it fully warrants being told and justifies the live-action treatment, as it is more than a mere re-telling of an animated classic as films such as Beauty and the Beast and Cinderella have been guilty of.

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